He revealed that the production team had to pick out “little nuances” such as facial expressions that Paul previously made in Fast Five, Fast & Furious 6, and what he had shot in Furious 7 in order to help the visual animators bring his character to life in the latest instalment. Wan said, “We literally had to build a bible, so to speak, that we could reference. Oh, when Paul is happy, he does this. When he’s sad, he does this. It was so meticulous.”
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